The History

1912

John Sampson & Son Department Store

1926

Suthadilok Department Store

1933

The Department of Public and Municipal Works or The Department of Public Works

2001

King Prajadhipok Museum

1912

John Sampson & Son Department Store

1926

Suthadilok Department Store

1933

The Department of Public and Municipal Works or The Department of Public Works

2001

King Prajadhipok Museum

1912

After the completion of the construction, John Sampson & Son signed a lease contract with the Department of Privy Purse for 15-year rental of the premises at 1,150 baht per month to operate a business of selling imported fabrics and custom-made suits, imported goods such as furniture and jewelry.

1919

The firm registered as “John Sampson & Son Limited Liability Company” on March, listing Mr. Frederick Sampson as the Managing Director and Mr. H.O. Saunders as the Manager.

1921

the store requested permission from the Department of Privy Purse to expand the building. It wished to connect the building to the existing warehouse and use bricks for the expansion with a door linking the two parts. The new roof was made of concrete tiles.

1924

The store run into financial difficulties.

1925

The store asked to terminate the building rental lease with the Department of Privy Purse.

1926

The contract was deemed to have expired and the store returned the building to the Department of Privy Purse.

1926

Luang Maitriwanich (Chalerm Yotmani), the owner of Suthadilok Department Store, and Mr. B.A. Euminju, its manager, entered into a 15 year lease contract to rent the premises and sell imported merchandise, notably modern construction materials, sanitary ware, rice mills equipment, beverages, tricycle, household utensils, pressure lanterns, fence lanterns, and glassware.

1930

A new contract between Suthadilok Department Store and the Department of Privy Purse was signed and in effect from 1 October 1930 to 30 September 1932.

The photo shown location of The King Prajadhipok Museum in 2541 BE
Source : Royal Thai Survey Department

1933

Prior to the contract, Phra Phisan Sukhumvit (Prasop Sukhum), the director-general of The Department of Public and Municipal Works submitted a written notice, requesting permission to inspect the building conditions and to renovate the building. The Department intended to expand the previous two storey warehouse to three storey, using wood as the sole material while keeping the old roof.

1935

Phra Phisan Sukhumvit (Prasop Sukhum), the director general of the Department of Public and Municipal Works, rented the premises as its office.

1936

The Department requested permission from the Department of Privy Purse to re-build the main staircases at the hallway into split staircases, dividing the left and right side as seen today.

1971

The Department of Public Works sought permission to construct a new office building at the back of the premises to accommodate the agency’s expansion. It was to be a six-storey reinforced concrete building, with a steel bridge connecting it to the old building.

1995

While the Department of Public Works was still renting the premises as its office space, the Fine Arts Department registered the building as a heritage site. “The Fine Arts Department registered the building as a heritage site, which status was announced in the Royal Gazette, No.112, Section 59 Ngor from the National Register of Heritage Sites,
Vol 3 1991-1996.”

1998

The Department of Public Works moved its office to a new location on RAMA VI road.

1999

The Department of Public Works entrusted Sivakorn Construction Ltd. to lead the renovation project. Supervised by archeologists from the Fine Arts Department, the project lasted 540 days. It resulted in the complete removal of the old roof to reinforce the wooden structure and the installation of purlins, thermal insulations, curved roofing sheets, and stainless-steel rain gutters. Likewise, stucco decorations and damaged floors had been repaired and replaced by the same materials. Additionally, to facilitate the shift towards the air-conditioning system, teakwood framed glass doors and windows were added to the old void spaces, blending seamlessly with the original doors and windows. Furthermore, the building on Lan Luang Road’s side was demolished.

2001

King Prajadhipok Institute continued to rent the building from the Crown Property Bureau and was granted the rights by the Department of Public Works to take overand renovate the site and stage a permanent exhibition of the life and works of King Prajadhipok and Queen Rambhai Barni. The Serene Architects Co., Ltd was responsible for the design and renovation, while Pico (Thailand) Public Company Limited handled the interior design.

2002

His majesty, the late King Bhumibol authorized then HRH the Crown Prince to represent him in augurating the museum.

Explore King Prajadhipok Virtual Museum : kpi-vmuseum.com

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Phra Sumen Road

Phra Sumen Fort in the Past

Phra Sumen Road runs through a long-established commercial district comprising many communities, religious sites, and rows of shophouses. The road itself starts at Phra Sumen Fort where Phra Atit Road ends. Its route leads alongside Bang Lamphu canal and finishes at Phan Fa Lilat intersection of Ratchadamnoen Klang Road. It connects with several other roads such as Phra Atit Road, Chakrabongse Road, Tanao Road, Samsen Road, Prachathipatai Road, and Dinso Road.
The road is named after Phra Sumen Fort, its starting point. One of the fourteen forts built in the reign of King Buddha Yodfa Chulaloke (King Rama I), this fort and Mahakan fort are now the only two forts left standing as historical sites in Phra Nakhon.

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āļĄāļ“āļžāļīāļ˜āļĩāļ—āđ‰āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡

     āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡ āļŦāļĢāļ·āļ­āđ€āļĢāļĩāļĒāļāļāļąāļ™āļ•āļēāļĄāļŠāļ·āđˆāļ­āđ€āļ”āļīāļĄāļ§āđˆāļē āļ—āļļāđˆāļ‡āļžāļĢāļ°āđ€āļĄāļĢāļļ āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāđƒāļŠāđ‰āđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļģāļŦāļĢāļąāļšāļžāļĢāļ°āđ€āļĄāļĢāļļāļĄāļēāļĻāļ–āļ§āļēāļĒāļžāļĢāļ°āđ€āļžāļĨāļīāļ‡āļžāļĢāļ°āļšāļĢāļĄāļĻāļžāļžāļĢāļ°āļĄāļŦāļēāļāļĐāļąāļ•āļĢāļīāļĒāđŒāđāļĨāļ°āļžāļĢāļ°āļĢāļēāļŠāļ§āļ‡āļĻāđŒāļŠāļąāđ‰āļ™āļŠāļđāļ‡ āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļĢāļąāļŠāļŠāļĄāļąāļĒāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļžāļļāļ—āļ˜āļĒāļ­āļ”āļŸāđ‰āļēāļˆāļļāļŽāļēāđ‚āļĨāļāļĄāļŦāļēāļĢāļēāļŠ āđƒāļ™āļŠāđˆāļ§āļ‡āļĢāļąāļŠāļāļēāļĨāļ—āļĩāđˆ 1 āļ–āļķāļ‡ āļĢāļąāļŠāļāļēāļĨāļ—āļĩāđˆ 3 āļāļēāļĢāđƒāļŠāđ‰āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ—āđ‰āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āđ€āļ›āđ‡āļ™āđ„āļ›āļ•āļēāļĄāļžāļĢāļ°āļĢāļēāļŠāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ‚āļ­āļ‡āļžāļĢāļ°āļĄāļŦāļēāļāļĐāļąāļ•āļĢāļīāļĒāđŒāđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļāļ­āļšāļžāļĢāļ°āļĢāļēāļŠāļžāļīāļ˜āļĩāļ•āđˆāļēāļ‡ āđ† āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āđ€āļŠāđˆāļ™ āļžāļīāļ˜āļĩāđāļĢāļāļ™āļēāļ‚āļ§āļąāļ āļžāļĢāļ°āļĢāļēāļŠāļžāļīāļ˜āļĩāļžāļ·āļŠāļĄāļ‡āļ„āļĨ āļžāļĢāļ°āļĢāļēāļŠāļžāļīāļ˜āļĩāļžāļīāļĢāļļāļ“āļĻāļēāļŠāļ•āļĢāđŒ (āļžāļīāļ˜āļĩāļ‚āļ­āļāļ™) āđāļĨāļ°āļāļēāļĢāļ—āļģāļ™āļēāļŦāļĨāļ§āļ‡ āđ€āļ›āđ‡āļ™āļ•āđ‰āļ™

     āđƒāļ™āļĢāļąāļŠāļŠāļĄāļąāļĒāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļˆāļļāļĨāļˆāļ­āļĄāđ€āļāļĨāđ‰āļēāđ€āļˆāđ‰āļēāļ­āļĒāļđāđˆāļŦāļąāļ§ āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āđƒāļŦāđ‰āļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļāļ§āđ‰āļēāļ‡āļ‚āļķāđ‰āļ™ āđ€āļžāļ·āđˆāļ­āļĢāļ­āļ‡āļĢāļąāļšāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āđƒāļ™āđāļ‡āđˆāļ‚āļ­āļ‡āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ—āļĩāđˆāļˆāļ°āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļˆāļēāļāļ­āļīāļ—āļ˜āļīāļžāļĨāļ‚āļ­āļ‡āļ•āļ°āļ§āļąāļ™āļ•āļāļ—āļĩāđˆāđ€āļĢāļīāđˆāļĄāđ€āļ‚āđ‰āļēāļĄāļēāļ•āļąāđ‰āļ‡āđāļ•āđˆāļŠāļĄāļąāļĒāļĢāļąāļŠāļāļēāļĨāļ—āļĩāđˆ 4 āļ—āļģāđƒāļŦāđ‰āļāļīāļˆāļāļĢāļĢāļĄāļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļšāļ™āļ—āđ‰āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒ āļ„āđˆāļ­āļĒ āđ† āđ€āļ›āļīāļ”āļĢāļąāļšāđƒāļŦāđ‰āļ›āļĢāļ°āļŠāļēāļŠāļ™āđ€āļ‚āđ‰āļēāļĄāļēāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāļĄāļēāļāļĒāļīāđˆāļ‡āļ‚āļķāđ‰āļ™ āļ›āļĢāļ°āļāļ­āļšāđ„āļ›āļ”āđ‰āļ§āļĒ āļ‡āļēāļ™āļ‰āļĨāļ­āļ‡āļžāļĢāļ°āļ™āļ„āļĢāļ„āļĢāļšāļĢāļ­āļš 100 āļ›āļĩ āļ—āļĩāđˆāļĄāļĩāļāļĢāļ°āļšāļ§āļ™āļžāļĒāļļāļŦāļĒāļēāļ•āļĢāļēāļ­āļąāļ™āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆ āļāļēāļĢāļˆāļąāļ” “āļ™āļēāđ€āļŠāļ­āļ™āļ™āļąāļĨ āđ€āļ­āļāļ‹āļŪāļīāļšāļīāđ€āļŠāļ™ (National Exhibition)” āđ€āļ›āđ‡āļ™āļāļēāļĢāđāļŠāļ”āļ‡āļŠāļīāļ™āļ„āđ‰āļēāļ—āļĩāđˆāļœāļĨāļīāļ•āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļĒāļēāļĄāđƒāļŦāđ‰āļ›āļĢāļ°āļŠāļēāļŠāļ™āđ€āļ‚āđ‰āļēāļŠāļĄāđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļē 3 āđ€āļ”āļ·āļ­āļ™ āđāļĨāļ°āļāļēāļĢāļ•āļąāđ‰āļ‡āđ‚āļĢāļ‡āļ—āļēāļ™āļĢāļ­āļšāļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡ āļ•āđˆāļ­āļĄāļēāđƒāļ™āļĢāļąāļŠāļŠāļĄāļąāļĒāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļĄāļ‡āļāļļāļŽāđ€āļāļĨāđ‰āļēāđ€āļˆāđ‰āļēāļ­āļĒāļđāđˆāļŦāļąāļ§ āļĄāļĩāļāļēāļĢāđƒāļŠāđ‰āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļŠāļ§āļ™āļŠāļ™āļēāļĄāđāļĨāļ°āļāļēāļĢāļ‹āđ‰āļ­āļĄāļĢāļšāļ‚āļ­āļ‡āđ€āļŦāļĨāđˆāļēāđ€āļŠāļ·āļ­āļ›āđˆāļēāđāļĨāļ°āļĨāļđāļāđ€āļŠāļ·āļ­ āļŠāļ·āļšāđ€āļ™āļ·āđˆāļ­āļ‡āļĄāļēāļˆāļ™āļ–āļķāļ‡āļĢāļąāļŠāļŠāļĄāļąāļĒāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļ›āļāđ€āļāļĨāđ‰āļēāđ€āļˆāđ‰āļēāļ­āļĒāļđāđˆāļŦāļąāļ§ āļ—āļĩāđˆāļĒāļąāļ‡āļ„āļ‡āļĄāļĩāļāļēāļĢāļˆāļąāļ”āļ‡āļēāļ™āļžāļĢāļ°āļĢāļēāļŠāļžāļīāļ˜āļĩāļšāļ™āļ—āđ‰āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āđ€āļĢāļ·āđˆāļ­āļĒāļĄāļē āđāļĄāđ‰āļ§āđˆāļēāļšāļēāļ‡āļ‡āļēāļ™āļˆāļ°āļĄāļīāđ„āļ”āđ‰āđƒāļŦāļāđˆāđ‚āļ•āđ€āļ­āļīāļāđ€āļāļĢāļīāļ āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļ āļēāļ§āļ°āđ€āļĻāļĢāļĐāļāļāļīāļˆāļ•āļāļ•āđˆāļģāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļ‚āļ“āļ°āļ™āļąāđ‰āļ™āļāđ‡āļ•āļēāļĄ āļ āļēāļĒāļŦāļĨāļąāļ‡āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡ āļž.āļĻ.2475 āļˆāļķāļ‡āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ‚āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āļ—āļĩāđˆāđ€āļ›āļīāļ”āļĢāļąāļšāļ›āļĢāļ°āļŠāļēāļŠāļ™āļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļāļģāļĨāļąāļ‡āđƒāļ™āļ‚āļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļĒāļąāļ‡āļ„āļ‡āđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ‚āļ­āļ‡āļžāļĢāļ°āļĢāļēāļŠāļžāļīāļ˜āļĩāđāļĨāļ°āļĢāļąāļāļžāļīāļ˜āļĩāļ­āļĒāļđāđˆāđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ–āļķāļ‡āļāļēāļĢāđƒāļŠāđ‰āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļĢāđˆāļ§āļĄāļāļąāļ™ āđāļĄāđ‰āļāļēāļĢ
āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ‚āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ āļēāļžāļ‚āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļŠāļ™āđ€āļĨāļ·āļ­āļ™āļĢāļēāļ‡āđ„āļ›āļāđ‡āļ•āļēāļĄ

āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡: āđƒāļ™āļāļēāļ™āļ°āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļēāļ˜āļēāļĢāļ“āļ°āļ‚āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļŠāļ™

(1) āļāļēāļĢāđ€āļĨāđˆāļ™āļ§āđˆāļēāļ§ āļāļēāļĢāđāļ‚āđˆāļ‡āļ‚āļąāļ™āđāļĨāļ°āļāļīāļˆāļāļĢāļĢāļĄāļĒāļēāļĄāļ§āđˆāļēāļ‡āļŠāļģāļŦāļĢāļąāļšāļ›āļĢāļ°āļŠāļēāļŠāļ™

(2) āļ•āļĨāļēāļ”āļ™āļąāļ”āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡ āļŠāđˆāļ§āļ™āļ—āļĩāđˆāļˆāļģāļŦāļ™āđˆāļēāļĒāļ•āđ‰āļ™āđ„āļĄāđ‰āđāļĨāļ°āļžāļ·āļŠāļžāļąāļ™āļ˜āļļāđŒāļ•āđˆāļēāļ‡ āđ†

(3) āļ•āļĨāļēāļ”āļ™āļąāļ”āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡ āļĄāļļāļĄāļŦāļ™āļąāļ‡āļŠāļ·āļ­āļŠāļģāļŦāļĢāļąāļšāļ™āļąāļāļ­āđˆāļēāļ™

(4) āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āđƒāļ™āļāļēāļ™āļ°āļ—āļĩāđˆāļžāļąāļāļžāļīāļ‡āļ‚āļ­āļ‡āđƒāļ„āļĢāļŦāļĨāļēāļĒ āđ† āļ„āļ™

     āļ–āļķāļ‡āđāļĄāđ‰āļ§āđˆāļēāļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āļˆāļ°āđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļĄāļēāđ€āļžāļ·āđˆāļ­āđ€āļ›āđ‡āļ™āļŠāļ§āļ™āļŠāļēāļ˜āļēāļĢāļ“āļ° āđāļ•āđˆāļĨāļąāļāļĐāļ“āļ°āļ‚āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āļŠāļēāļĄāļēāļĢāļ–āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļāļīāļˆāļāļĢāļĢāļĄāđ„āļ”āđ‰āļŦāļĨāļēāļĒāļĢāļđāļ›āđāļšāļš āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļāļ§āđ‰āļēāļ‡āđƒāļŦāļāđˆ āļ­āļĒāļđāđˆāđƒāļāļĨāđ‰āļŠāļ–āļēāļ™āļ—āļĩāđˆāļŠāļģāļ„āļąāļāđāļĨāļ°āđāļŦāļĨāđˆāļ‡āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āđƒāļ™āļžāļĢāļ°āļ™āļ„āļĢāļ āļēāļĒāļŦāļĨāļąāļ‡āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡ āļž.āļĻ.2475 āļšāļ—āļšāļēāļ—āļ‚āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ„āļ›āļ­āļĒāđˆāļēāļ‡āđ€āļŦāđ‡āļ™āđ„āļ”āđ‰āļŠāļąāļ” āļĄāļĩāļāļēāļĢāļˆāļąāļ”āļāļīāļˆāļāļĢāļĢāļĄāļ—āļĩāđˆāđ€āļāļĩāđˆāļĒāļ§āļ‚āđ‰āļ­āļ‡āļāļąāļšāļ›āļĢāļ°āļŠāļēāļŠāļ™āļĄāļēāļāļ‚āļķāđ‰āļ™āļˆāļēāļāđ€āļ”āļīāļĄ āļ­āļēāļ—āļī āđƒāļ™āļŠāļĄāļąāļĒāļ—āļĩāđˆāļˆāļ­āļĄāļžāļĨ āļ›. āļžāļīāļšāļđāļĨāļŠāļ‡āļ„āļĢāļēāļĄ āđ€āļ›āđ‡āļ™āļ™āļēāļĒāļāļĢāļąāļāļĄāļ™āļ•āļĢāļĩ āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āļĢāļąāļšāļšāļ—āđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļēāļ˜āļēāļĢāļ“āļ° āļ”āđ‰āļ§āļĒāļāļēāļĢāđƒāļŠāđ‰āđ€āļ›āđ‡āļ™ “āļ•āļĨāļēāļ”āļ™āļąāļ”āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡â€ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļœāļĨāļĄāļēāļˆāļēāļāļ™āđ‚āļĒāļšāļēāļĒāđƒāļŦāđ‰āļĄāļĩāļ•āļĨāļēāļ”āļ™āļąāļ”āļ—āļļāļāļˆāļąāļ‡āļŦāļ§āļąāļ”āđ€āļžāļ·āđˆāļ­āļāļĢāļ°āļ•āļļāđ‰āļ™āđ€āļĻāļĢāļĐāļāļāļīāļˆ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ­āļ™āļļāļāļēāļ•āđƒāļŦāđ‰āļˆāļąāļ”āđ€āļ§āļ—āļĩāļ›āļĢāļēāļĻāļĢāļąāļĒāđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™āļ—āļēāļ‡āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡ āđ€āļĢāļĩāļĒāļāļ§āđˆāļē “āđ„āļŪāļ›āļēāļĢāđŒāļâ€ āļŦāļĨāļąāļ‡āļˆāļēāļāļ™āļąāđ‰āļ™āļ–āļķāļ‡āđāļĄāđ‰āļ§āđˆāļēāļ•āļĨāļēāļ”āļ™āļąāļ”āļˆāļ°āļ–āļđāļāļĒāļāđ€āļĨāļīāļāđ„āļ›āđƒāļ™āļŠāļĄāļąāļĒāļ‚āļ­āļ‡āļžāļĨ.āļ­. āđ€āļāļĢāļĩāļĒāļ‡āļĻāļąāļāļ”āļīāđŒ āļŠāļĄāļ°āļ™āļąāļ™āļ—āđŒ āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļžāļąāļāļœāđˆāļ­āļ™āļŦāļĒāđˆāļ­āļ™āđƒāļˆāļ‚āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļŠāļ™ āļĄāļĩāļāļīāļˆāļāļĢāļĢāļĄāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļĄāļēāļāļĄāļēāļĒ āđ€āļŠāđˆāļ™ āļāļēāļĢāđ€āļ›āđ‡āļ™āļŠāļ§āļ™āļŠāļēāļ˜āļēāļĢāļ“āļ° āļāļēāļĢāđ€āļĨāđˆāļ™āļāļĩāļŽāļē āđāļĨāļ°āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ„āļĄāđˆāļ‚āļąāļ”āļāļąāļšāļĄāļļāļĄāļĄāļ­āļ‡āļ‚āļ­āļ‡āļĢāļąāļ āļĄāļĩāļŦāļĨāļēāļĒāļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆāļĢāļąāļāļžāļĒāļēāļĒāļēāļĄāļˆāļąāļ”āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆ āđ€āļ›āđ‡āļ™āđ€āļŦāļ•āļļāđƒāļŦāđ‰āļāļīāļˆāļāļĢāļĢāļĄāđ€āļŦāļĨāđˆāļēāļ™āļąāđ‰āļ™āļ‚āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļŠāļ™āļ–āļđāļāļĒāļāđ€āļĨāļīāļāđ„āļ› āđāļ•āđˆāļ™āļąāđˆāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āļ—āļģāđƒāļŦāđ‰āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļēāļ˜āļēāļĢāļ“āļ°āļ‚āļ­āļ‡āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡āļŦāļēāļĒāđ„āļ› āđƒāļ™āļ—āļēāļ‡āļāļĨāļąāļšāļāļąāļ™ āļ™āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļ›āļĢāļ°āļŠāļēāļŠāļ™āļŦāļĨāļēāļĒāļ„āļ™āļĢāļđāđ‰āļˆāļąāļāđāļĨāļ°āļĢāļąāļšāļĢāļđāđ‰āļ–āļķāļ‡āđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ•āđˆāļēāļ‡ āđ† āļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™ āļ“ āļ—āļĩāđˆāđāļŦāđˆāļ‡āļ™āļĩāđ‰

The Royal Cremation of H.M. King Chulalongkorn (King Rama V)

The Royal Ploughing Ceremony on 13th May 1966

National Exhibition on the Occasion of the 100th Anniversary of Phra Nakorn in 1882 in the Reign of H.M. King Chulalongkorn

The Celebration of the Constitution Day in 1938

          Constructed in the reign of King Buddha Yodfa Chulaloke (Rama I), this vast open field earned its original name, Thung Phra Men, from its purpose as a royal cremation ground for past kings and close relatives. Throughout the reign of King Rama I to King Rama III, the function of Sanam Luang was linked to the wish of the King and royal ceremonies. For example, it was the venue for the Royal Ploughing Ceremony, the Harvest Festival, the Rain-Beckoning Rituals, and the location of Royal paddy fields during rice-planting seasons.

          In the reign of King Chulalongkorn (Rama V), Sanam Luang was expanded to accommodate new functions. The western influence had been steadily increasing ever since the reign of King Mongkut (Rama IV). It gave rise to various activities taking place on the ground, encouraging more participation by the people. Examples of such activities were the centennial celebration of Bangkok with its grand royal procession and the National Exhibition that displayed Siamese-made products and was open to the general public for three months. At the time, there was an establishment of several almshouses around the premise as well. Later, in the reign of King Vajiravudh (Rama VI), Sanam Luang was used for military parade inspection. It was also a training ground for the King’s paramilitary militia, Wild Tiger Corps and Tiger Cups, its youth counterpart. In the Reign of King Prajadhipok (Rama VII), royal ceremonies were still held on the ground, albeit on a smaller scale, due to the then economic crisis. The Siamese Revolution of 1932 was a turning point where the function of Sanam Luang had shifted to fully accept the people, while simultaneously maintaining its status as a ceremonial site for both the state and the crown. It depicts how the space is shared across the board, although subsequent changes may omit the people from the picture somewhat.

(1) Kite Surfing, One of the most famous activities on Sanam Luang

(2) The Flea Market on Sanam Luang, Plant Market Zone

(3) The Flea Market on Sanam Luang, Book Zone

(4) Sanam Luang as a home for Ones

         Despite not being built to be a park, Sanam Luang has served several functions due to its vast open space, proximity to significant places, and prominent tourist attractions within Phra Nakhon. The Siamese Revolution of 1932 has made Sanam Luang cater more to the public. When Field Marshal P. Phibunsongkhram held the office, Sanam Luang acted as a public space. It was the venue for “Sanam Luang Flea Market”, a response to the policy to have a flea market in every province to stimulate the local economy. It provided, too, a platform for expressing and debating political ideas or “Hyde Park” (the Speakers Corner). Unfortunately, the Flea Market initiative was abolished in the era of General Kriangsak Chamanan. Under him, Sanam Luang turned into a recreation park, a place filled with activities; picnicking, playing sports, and any activities not in direct conflict with the government’s perspective. Sometimes, the state’s attempt to renovate the field does put an end to activities enjoyed by the people. However, such attempts do not negate the public space aspect of Sanam Luang. On the other hand, it introduces people to Sanam Luang and its legacy.

āļĢāļēāļŠāļ•āļĪāļ“āļĄāļąāļĒāļŠāļĄāļēāļ„āļĄāđāļŦāđˆāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ
āđƒāļ™āļžāļĢāļ°āļšāļĢāļĄāļĢāļēāļŠāļđāļ›āļ–āļąāļĄāļ āđŒ

āļŠāļ™āļēāļĄāļĄāđ‰āļēāļŠāļģāļŦāļĢāļąāļšāļ„āļ™āđ„āļ—āļĒ āļ—āļĩāđˆāđ€āļŦāļĨāļ·āļ­āđ„āļ§āđ‰āđ€āļžāļĩāļĒāļ‡āļŠāļ·āđˆāļ­
     āļĢāļēāļŠāļ•āļĪāļ“āļĄāļąāļĒāļŠāļĄāļēāļ„āļĄ āļŦāļĢāļ·āļ­ āđ€āļĢāļĩāļĒāļāļāļąāļ™āđ‚āļ”āļĒāļ—āļąāđˆāļ§āđ„āļ›āļ§āđˆāļē āļŠāļ™āļēāļĄāļĄāđ‰āļēāļ™āļēāļ‡āđ€āļĨāļīāđ‰āļ‡ āđ€āļ›āđ‡āļ™āļŠāļ™āļēāļĄāđāļ‚āđˆāļ‡āļĄāđ‰āļēāđāļĨāļ°āļŠāļ›āļ­āļĢāđŒāļ•āļ„āļĨāļąāļšāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļ–āļ™āļ™āļžāļīāļĐāļ“āļļāđ‚āļĨāļ āļšāļĢāļīāđ€āļ§āļ“āļĒāđˆāļēāļ™āļ™āļēāļ‡āđ€āļĨāļīāđ‰āļ‡ āđ€āļĄāļ·āđˆāļ­ āļž.āļĻ. 2456 āļžāļĢāļ°āļĒāļēāļ›āļĢāļ°āļ”āļīāļžāļąāļ—āļ˜āļ āļđāļšāļēāļĨāđāļĨāļ°āļžāļĢāļ°āļĒāļēāļ­āļĢāļĢāļ–āļāļēāļĢāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāđŒ āļ‚āļ­āļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļžāļĢāļ°āļšāļĢāļĄāļĢāļēāļŠāļēāļ™āļļāļāļēāļ•āđāļĨāļ°āļ—āļĩāđˆāļ”āļīāļ™āļšāļĢāļīāđ€āļ§āļ“āļ•āļģāļšāļĨāļ™āļēāļ‡āđ€āļĨāļīāđ‰āļ‡āļˆāļēāļāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļĄāļ‡āļāļļāļŽāđ€āļāļĨāđ‰āļēāđ€āļˆāđ‰āļēāļ­āļĒāļđāđˆāļŦāļąāļ§ āđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļŠāļ™āļēāļĄāļĄāđ‰āļēāļŠāļģāļŦāļĢāļąāļšāļ„āļ™āđ„āļ—āļĒ āđāļĨāļ°āļžāļĢāļ°āļ­āļ‡āļ„āđŒāđ€āļŠāļ”āđ‡āļˆāļŊ āđ€āļ›āļīāļ”āļŠāļ™āļēāļĄāļĄāđ‰āļē āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 18 āļ˜āļąāļ™āļ§āļēāļ„āļĄ āļž.āļĻ. 2459 āļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļ™āļēāļĄāļ§āđˆāļē āļĢāļēāļŠāļ•āļĪāļ“āļĄāļąāļĒāļŠāļĄāļēāļ„āļĄ
     āļ āļēāļĒāđƒāļ™āļĢāļēāļŠāļ•āļĪāļ“āļĄāļąāļĒāļŠāļĄāļēāļ„āļĄāļŊ āļĄāļĩāļŠāļ™āļēāļĄāđāļ‚āđˆāļ‡āļĄāđ‰āļēāđāļĨāļ°āļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļšāļģāļĢāļļāļ‡āļžāļąāļ™āļ˜āļļāđŒāļĄāđ‰āļēāđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ° āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļĄāđ‰āļēāļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļ™āļģāđ€āļ‚āđ‰āļēāļĄāļēāļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ āļ•āđ‰āļ­āļ‡āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ”āļđāđāļĨāđ€āļ›āđ‡āļ™āļžāļīāđ€āļĻāļĐ āļ•āđˆāļ­āļĄāļēāļĄāļĩāļāļēāļĢāđ€āļžāļīāđˆāļĄāđāļĨāļ°āļ•āđˆāļ­āđ€āļ•āļīāļĄāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļģāļŦāļĢāļąāļšāļāļĩāļŽāļēāļŠāļ™āļīāļ”āļ­āļ·āđˆāļ™ āđ† āđ€āļŠāđˆāļ™ āļšāļīāļĨāđ€āļĨāļĩāļĒāļ” āļāļ­āļĨāđŒāļŸ āđ€āļ—āļ™āļ™āļīāļŠ āđāļĨāļ°āļŸāļļāļ•āļšāļ­āļĨ āđ€āļ›āđ‡āļ™āļ•āđ‰āļ™ āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļžāļšāļ›āļ°āļŠāļąāļ‡āļŠāļĢāļĢāļ„āđŒāđāļĨāļ°āļŠāļ›āļ­āļĢāđŒāļ•āļ„āļĨāļąāļšāļ‚āļ­āļ‡āđ€āļŦāļĨāđˆāļēāđ€āļˆāđ‰āļēāļ™āļēāļĒāđƒāļ™āļŠāļĄāļąāļĒāļ™āļąāđ‰āļ™ āļāļēāļĢāđāļ‚āđˆāļ‡āļĄāđ‰āļēāļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļšāļąāļ™āđ€āļ—āļīāļ‡āđāļĨāļ°āļāļēāļĢāļžāļ™āļąāļ™āļ­āļĒāđˆāļēāļ‡āļŦāļ™āļķāđˆāļ‡āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ™āļīāļĒāļĄāļ­āļĒāļđāđˆāļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļŦāļ™āļķāđˆāļ‡ āđāļ•āđˆāđƒāļ™āļĒāļļāļ„āļŠāļĄāļąāļĒāļ•āđˆāļ­āļĄāļēāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļāđ‡āļĨāļ”āļĨāļ‡āđ„āļ›
     āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļĢāļēāļŠāļ•āļĪāļ“āļĄāļąāļĒāļŠāļĄāļēāļ„āļĄāļŊ āļ—āļĩāđˆāļĄāļĩāļ­āļēāļĒāļļāļāļ§āđˆāļē 102 āļ›āļĩ āļ›āļīāļ”āļ•āļąāļ§āļĨāļ‡ āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļŦāļĄāļ”āļŠāļąāļāļāļēāļāļēāļĢāđ€āļŠāđˆāļēāļžāļ·āđ‰āļ™āļ—āļĩāđˆ āđ‚āļ”āļĒāļāļēāļĢāđāļ‚āđˆāļ‡āļĄāđ‰āļēāļ„āļĢāļąāđ‰āļ‡āļŠāļļāļ”āļ—āđ‰āļēāļĒāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 16 āļāļąāļ™āļĒāļēāļĒāļ™ āļž.āļĻ.2561

The Government House Premise and Thai Khu Fah Building

The government house is a crucial government compound. It serves as the official workplace of the prime minister, deputy prime minister, state officials of the prime minister’s office, and other related departments. On some occasions, the premise is used for receiving distinguished guests or hosting social functions such as the celebration of His Majesty the King’s birthday. The house was formerly “Villa Norasingh” and belonged to General Chao Phraya Ram Rakop (Mom Luang Fua Phuengbun), one of King Vajiravudh’s closest courtiers. In 1941, it became the government house because of Field Marshal Plaek Phibunsongkhram (Field Marshal P. Phibunsongkhram), the then prime minister. The premise comprises, for instance, Thai-Khu-Fah Building, Santimaitree Building, and Nareesamosorn Building.